Family Skeletons
by Rett MacPherson
Chapter One

      The Lick-a-Pot Candy Shoppe is located on the corner of Jefferson Street and Hermann Avenue, in the town of New Kassel, Missouri. It was at the Lick-a-Pot that I had spent the majority of my morning stirring fudge and listening to Sylvia Pershing give me orders.
      My arms were killing me. My shoulders felt as though they belonged to an Olympic athlete. One that had just competed in a decathlon and lost. Stirring fudge is not for the weak of body, or spirit. The smell of chocolate cooking, not to mention the peanut butter, played havoc with my stomach.
      I heard an accordion playing in the distance. The jaunty little notes of some polka added the perfect feel to the day's events.
      Tobias Thorley was our resident accordion player. Even though 1 could not see him, I knew that he wore his cute little blue knickers that showed off his seventy-year-old legs, and a matching velvet hat with a feather sticking straight out the top of it. He wore the vest over a very blowsy white shirt. This is what he wore every time he played the accordion, and I knew it by heart.
      The occasional clink that I heard was from a passerby tossing a coin into his cast-iron kettle, located two feet from him under a nice shade tree. I am Victory O'Shea, a member of the historical society, of which Sylvia and Wilma Pershing are president and vice president, respectively. I am also the resident genealogist and historian/tour guide. My duties entail just about anything the Pershing sisters can dish out for me to do. Earlier that morning it was turning bratwurst. Now it was stirring fudge.
      Dishes clanked across the street at Fraulein Krista's Speisehaus, reminding me just how good her pastries were. The aroma of kettle popcorn wafted in through the oblong windows. I was hungry and sweating profusely, and my husband Rudy and our two daughters were off having fun somewhere. I was stirring fudge.
      There was something terribly unjust with this picture. "Victory O'Shea," Sylvia snapped at me. "I've told you a thousand times that when the shine leaves the fudge it's time to pour it." Her voice cracked with age. It is rumored that the Pershing sisters are well into their nineties, although nobody has ever had the nerve to actually ask them. They wear their silver hair in identical braids twirled on top of their heads, and that is where the similarities end.
      Sylvia's eyes are gray and sharp as glass, much like her personality. She is never subtle and doesn't give a hoot if you like her or not. She isn't on this earth for you to like. She is tall and thin, with a bad limp, and has all other original teeth. The limp was caused by a fall from a horse when she was fifty-seven, and her teeth are healthy because she never eats the fudge that we cook, or any other sweets.
      Wilma is soft-spoken and kind, and has peaceful green eyes. She is also shorter and much heavier than Sylvia, basically because she does eat the fudge that we cook, and loves every minute of it. Something Sylvia hates. I don't know if Wilma really likes the fudge all that much, but it is a wonderful way to annoy her sister.
      I started to say something hateful in response to Sylvia's order and decided to be respectful, which is what I had done all day anyway.
      "Yes, Sylvia," I said instead.
      The shop was full of patrons, as it was "Old German Days" in New Kassel. Old German Days is a weeklong celebration that our town has every May. The Lick-a-Pot is owned by Helen Wickland. Every year she donates the proceeds from Old German Days to the historical society, as do a few other shops.
      Helen's granddaughter works the counter. She smiles at everybody that comes in, showing off the braces that cost her parents more money than their last car.
       "Don't forget," Sylvia said to me. "You've got to give the tour of the Gaheimer House at three-fifteen." It was the fourth time in two hours that she had reminded me, but I said nothing. I poured the fudge onto the platter that Wilma had buttered for me and smoothed it out with my overly large wooden spoon, wondering what Rudy and the girls were doing in the spring sunshine without me. This was my fifth batch of fudge, and my shoulders swelled from the abuse. A trickle of sweat ran down my temple. Sylvia was on her eighth batch and not complaining in the least. I could not figure out why.
      I'm sure it was due to the fact that Sylvia does without caffeine and sweets. Not to mention sex. I suppose I don't want to live to be a healthy ninety-year-old badly enough.
      Wilma perked up suddenly and blushed. I knew Rudy must have come in the door behind me. Wilma always blushes whenever Rudy is around. I'm not sure why she reacts that way to him. I suppose a ninety-year-old woman could have a crush on my husband.
      I turned to look into chocolate brown eyes that smiled with mischief. Rudy is only five foot ten, but he towers over my five foot two easily. Most people do. He kissed the top of my head and stuck his finger in the fudge for a free taste.
      "Hello, Wilma," he said as he winked at her.
      "Afternoon Rudy," she said. Her blush deepened. If she blushed any more she'd turn purple.
      "What do you want?" Sylvia asked. "Have you come to finally put yourself to good use? Pick up a spoon and spread that fudge before it hardens," she directed.
      "Now Sylvia, there's no use in getting all fired up about a bunch of fudge," he said to her, but he picked up a spoon and spread the fudge nonetheless. I felt a sudden surge of pride. Most men wouldn't be caught dead in a candy shop spreading fudge.
      But my husband bravely faces all of the dangers in life for me.
      "Actually," he continued, "I've come to steal Torie from you," he said.
      Did I mention he comes to my rescue, too?
      "Can't have her," Sylvia snapped. "And her name is Victory. Do you want me to spell it for you?"
      Nobody calls me Victory except my mother and Sylvia Pershing. Everybody else calls me Torie.
      "Elmer Kolbe said the Gaheimer tour is going to start early. He needs her there."
      I studied Rudy's face. He was definitely lying, I could tell. Every time he lies the corners of his mouth twitch. He tried to keep his long face serious. But Wilma stared at him adoringly and Sylvia scowled at him while at the same time, I tried not to laugh. It was a difficult task.
      "Well, just who does Elmer Kolbe think he is? I'm the president of the New Kassel Historical Society, not him." She sputtered a few unidentifiable words and added, "Fine, fine. Take her. But you tell Elmer I want a replacement. The historical society depends on the money from this fudge to keep us running all year."
      That was a slight exaggeration, and Rudy knew it. But he just smiled and said, "Yes, Sylvia."
      "That is Ms. Pershing to you, young man. Don't think because my sister is still ruled by her hormones that you can charm me."
      "Sylvia!" Wilma protested.
      "It's true. You've never been able to control yourself around men."
      Wilma looked truly embarrassed and glanced around the shop to see if anybody had overheard. There were a few customers smiling in our direction as if we were a sideshow. Wilma started to say something, but Sylvia held her hand up and added,
      "No use in denying it. I remember the fool you made of yourself over John Wakefield."
      "That was in 1922!" Wilma defended herself.
      "Yes, and that was just the beginning," Sylvia countered.
      I pulled off the fudge-covered apron, washed my hands quickly in the back sink, and went out the door. I left the Pershing sisters to debate over something they had debated a thousand times, and Sylvia would win as always.
      "Thank you, thank you, thank you, Rudy," I said to him once outside.
      "The girls and I thought you might like to eat before your tour."
      "Would I ever," I said, and meant it.
      "What's it going to be?" he asked.
      "How about the Smells Good. A sub sandwich really sounds delicious."
      My two daughters, Rachel and Mary, came running across the street. Rudy had dropped them at the Gaheimer House, which is catty-corner to the Lick-a-Pot, with his kid sister Amy. Rachel is six going on twenty-six, with brown hair and black eyes, and looks extraordinarily like Rudy. Mary is three, and has no desire to be any older. She's having too much fun. She has blondish hair with green eyes and a round face, and looks just like me.
      We walked down Jefferson Street, made a right onto New Bavaria Boulevard, and ate a late lunch at the Smells Good.
      "The Gaheimer House is one of the oldest houses in New Kassel, dating back to the mid-1860s," I said to my flock of tourists.
      "It is on the register of historical sites in Missouri, along with three of our other buildings. It is now owned by Sylvia and Wilma Pershing, and it houses the historical society's headquarters, and my office."
      I love my job. Giving the tours is the only thing that I do in this town that I actually get paid for. I have seven authentically replicated dresses, made just for me to give the tours in. The one I had just changed into to give this tour was an 1870s deep blue polonaise gown, with an open front that revealed an underskirt of the same color. It was trimmed with chenille-ball fringe in a deeper, almost navy blue. I looked like a curtain. The hat matched, and it was just a shame that I wasn't as comfortable as I looked. The crinolette that I wore underneath the dress was stiff and itchy, and the entire ensemble took a good twenty minutes to get on.
      "The dress is an authentic reproduction you may touch it if you like," 1 said, and held out my arms for the people to touch.
      For some reason everybody wants to touch a dress that looks like this, so I just let them know up front that it's all right. We stood in the ballroom, with its marble floor and painted ceiling. My voice echoed off of the walls, and I had to remind myself to speak in a normal tone.
      "Before we start the rest of the tour I'd like to ask that you do not touch any of the furniture in the house, as all of the pieces in the Gaheimer House are antiques. Nothing here, except for my dresses, are reproductions. The gentleman behind you is Elmer Kolbe. He is our security. He makes sure that nobody gets lost from the tour."
      Elmer smiled at me and rolled his beady gray eyes to the ceiling. He is our fire chief and is supposed to be retiring. He's been saying that for ten years and is still hard at work. The tour wasn't very large, only about ^en people. We moved on to the dining room.
      "The paneling that goes halfway up the walls is sycamore. The dining table seats twelve and was brought from Connecticut when Mr. Gaheimer was there on business. Some of the outstanding pieces in this room are the chandelier and the matching gilt convex mirror."
      Okay, so its not the most exciting monologue in the world, but most people at least pay attention. One tourist, though, didn't really seem to be listening to anything I said. She looked at the floor for the most part, wringing her hands, and although it is a beautiful hardwood floor, it couldn't possibly be that interesting.
      She was a pretty woman, small and regal looking. She was one of those women that make men feel big and strong, and other women feel huge, fat, and cumbersome. 1 felt like a Valkyrie next to her, and I'm only five foot two. She was probably close to fifty years old, judging by the gray hair and laugh lines around her mouth and eyes.
      Then it occurred to me that I knew her from somewhere. She owned a shop here in New Kassel. 1 stopped talking for a while, and she didn't notice. The other patrons looked around the room and at each other wondering if there was something wrong. She still didn't look up from the floor or stop wringing her hands.
      I resumed my monologue and went on with the tour. We headed up the steps for the second half and the ninth step creaked, as it always does. I like to think that it is the added weight of my skirts that makes the step creak, and not my weight in general. I am only about ten pounds overweight, but I like to eat, and there is a certain amount of guilt that goes with that.
      When I reached the landing I turned around, and instantly noticed that I was missing my hand-wringing tourist/shop owner. I questioned Elmer with my eyes, and he took my meaning and scanned the group, as if I'd just overlooked her. Why didn't she say something? And where did she go? When the tour was over, I went downstairs to my office to change back into my street clothes. The next tour wasn't for two hours, and 1 didn't want to get my dress dirty or wrinkled. Sylvia has them dry-cleaned faithfully every other week, and if there is a mark on them, I am told about it.
      There was somebody in my office. I could see the shadow on the wall in the hallway. I expected it to be Rudy or Sylvia, ready to order me to my next duty. Instead, it was the woman from the tour. She stood behind the desk, reading something that lay on top of it.
      Caught like a child with her hand in the cookie jar, she flushed, came from behind my desk, and extended a very small, delicate hand.
      "Norah Zumwalt," she announced. I could have sworn that I said something, but I didn't hear it if I did. My expression was enough to warrant her explanation.
      "I own Norah's Antiques on the north side," she said calmly.
      "Right off of New Bavaria Boulevard."
      "Yes, I know," I said as I shook her hand. Oh, yes, I was thinking, the woman who never has anything to do with any fundraisers or functions of any kind. The woman who closed down her shop during last year's Oktoberfest because the event didn't bring any real customers, just "lookers." Yes, Miss Antisocial Norah Zumwalt. Now 1 knew who she was.
      "What can I do for you?"
      "You are the historian here, correct?"
      "Yes," I said.
      "Have you ever traced a family tree before?" she asked.
      "I've done my own and a few others. Why?"
      Walking to the only window in the room, she pulled back the lace curtains and looked out at the day's activities. The action could have been done for dramatic effect, but she seemed genuinely apprehensive about telling me what she wanted.
      She pressed her palms together, cleared her throat, and turned around to me to begin what seemed like a well-rehearsed speech. "In 1942, my father marched off to war and never came back." Handing me a photograph from her overly stuffed purse, she continued. "His mother was French, I think." I was still standing in the middle of my office. It's very difficult to sit in the dresses, and since I hadn't had the chance to change clothes, I remained standing.
      The man in the photograph was superbly handsome. His hair was wavy black, accompanied by dark, sparkling eyes and a full, pouty lower lip. The overall impression was that of a Mediterranean background.
      "Ms. Zumwalt, I don't really have time right now, with the festival and such, to take on any more projects. Besides, this sounds more like a missing-persons type of thing."
      "Please. I would like my whole family tree done, but in particular I'd like to find out what happened to my father. I'll pay you as much as you like."
      "Well, I normally charge ten dollars an hour plus photocopies, but I still don't know if I'll have the time. The museum is opening this June."
      Lord, why can't I just say no to people? I honestly didn't have the time to mess with this. And I wasn't so sure I'd do it even if I had the time. Maybe it was because I'd always thought she was a snob. Whatever the reason, it left me as quickly as it came when I saw her wringing her hands, and I looked down at his photograph again. What must it be like to be fifty years old and not know your father?
      "What's his name?" I heard myself ask.
      "Eugene Counts," she said as she sat down in a chair next to the wall and smiled.
      "When was he born?"
      "Probably in 1923."
      "Where was he born?"
      "Probably in Missouri."
      "And his parents?" I asked, expecting her to say, "Probably somebody."
      "I don't know."
      Well, at least she was certain of her lack of information. After ten years of doing this sort of thing, it still amazes me that people can know so little about their own parents.
      "Did he die in the war?" I asked. I tried to take notes by bending over my desk.
      "Probably." Back to that again. She looked around the room. It was a tiny room, just off from the ballroom. She stared at the poster, which also served as a map of New Kassel. It read: "Step Back in Time. Discover Historic New Kassel, Missouri, and All It Has to Offer."
      "My mother and father never married, and I guess he felt like he didn't have to come home to her when the war was over. He may have found somebody, a woman, in Europe and stayed. All I know is he used to write, then one day he stopped. My mother never asked him about his family."
      She pulled out several yellowed pieces of paper from her purse. They were letters, addressed to Viola Pritcher. The lighting in the office wasn't the best, and I had a difficult time reading the faded ink.
      "These are two of the last letters that he sent her. I have all the others at home," she said as she arose and went over to the wall opposite the window, where a very old, very pretty rose of Sharon quilt hung on the wall.
      The quilt was a donation from an elderly member of the society. The rose parts of the quilt were appliqued one on top of the other in different shades of pink to give a multidimensional look, and the green vine swirled around connecting the roses. The quilting was very fine, with the stitches accenting the flowers themselves.
      "The rose of Sharon quilt was traditionally the bridal quilt," I said to Norah. "Most brides generally had one quilt in that design."
      She smiled and hugged herself. "I always want to touch them. Do you?"
      "Yes. Quilts have that effect. Go ahead, if you like." She ran her small fingers across the applique roses, lost in her private thoughts.
      "So, how far do you want me to go back? How many generations?"
      "I don't know. I'd like to know at least who my great-great- grandparents were."
      "All right," I said. I reached into the upper left-hand drawer of the Civil War-era desk. It was one of the first items Hermann Gaheimer had acquired for himself when he arrived. "Fill out this form, as best you can. I'll be right back."
      I went to the ladies' room. I have no idea why all the women in the nineteenth century didn't die of bladder infections. If I had to live in one of these dresses all the time, I'd limit myself to peeing twice a day.
      It took me awhile to get back to the office. I stopped by the soda machine in the hallway and got a Dr Pepper. The soda machine is definitely out of place. It's like a satellite dish in the Amazon forest. Oh well, we must have our caffeine. When I got back to my office, she was gone. The form, which requested the names, dates, and places of birth and death for the ancestors that she could remember, was barely written on. The photograph and the letters were neatly placed on top of it. Had I really just promised to trace her family tree? Good Lord, it had been at least a year since f had hired out my services.
      There was something about Norah Zumwalt and the photograph other father that rested peculiarly in my consciousness. Now that she was gone, it was as if she had been a mirage or a dream. Why did she follow me through my tour just to ask me this? Why didn't she call me at home or catch me some other time in the office? Why now? Why not five years ago?
      
       End Of Chapter One